Material Language – An interview with Helen Marten
Robert Enright
Border Crossing No. 163
January 2024
Border Crossing No. 163
January 2024
Reviews: Helen Marten’s Waste Land
Jenny Wu
Art Review
November 2023
Art Review
November 2023
Visual Essay
New World Agency™
CURA
Fall Winter 2023
CURA
Fall Winter 2023
Art in Conversation
Amanda Gluibizzi
The Brooklyn Rail
October 2023
The Brooklyn Rail
October 2023
Helen Marten is messing with meaning
Interview with Clem Macleod
WORMS 7
2023
WORMS 7
2023
Helen Marten
Manifesto
CURA. 40
Spring / Summer 2023
CURA. 40
Spring / Summer 2023
Noblesse
Helen Marten: World Artist interview
Spring 2023
Spring 2023
Helen Marten
Alice Bucknell
Frieze
No. 224 2022
Frieze
No. 224 2022
HELEN MARTEN SOS
Lousie Martin-Chew
VAULT
Issue 36 2021
VAULT
Issue 36 2021
At Sadie Coles
Brian Dillon
London Review of Books
Volume 43 2021
London Review of Books
Volume 43 2021
Bodies That Matter: An Interview With Helen Marten
Amah-Rose Abrams
The Quietus
2021
The Quietus
2021
Helen Marten on turning language and visual games into art
Jane Ure-Smith
Financial Times
2021
Financial Times
2021
Helen Marten Review – Turner winner’s new show leaves you gasping
Adrian Searle
The Guardian
2021
The Guardian
2021
Helen Marten: Whispered Circuitry, Drunken Quality
Alex Bennett
Flash Art
2021
Flash Art
2021
from The Boiled in Between
The Boiled in Between
(extract)
The Brooklyn Rail
2020
(extract)
The Brooklyn Rail
2020
Helen Marten: The Boiled in Between
Olivia Fletcher
This is Tomorrow
2020
This is Tomorrow
2020
The Boiled in Between: In Conversation with Helen Marten
Mazzy-Mae Green
Modern Matter
2020
Modern Matter
2020
Author’s Tale
Max Liu
i Newspaper
2020
i Newspaper
2020
The Interview: Helen Marten
Ross Simonini
ArtReview
Volume 72 2020
ArtReview
Volume 72 2020
Helen Marten’s Intimate Affinities
Brian Dillon
Frieze
2020
Frieze
2020
Visual Art: Helen Marten
Jasmine Reimer
Border Crossings
Volume 38 2019
Border Crossings
Volume 38 2019
Reviews: Helen Marten
Rebecca O'Dwyer
Burlington Contemporary
2019
Burlington Contemporary
2019
QUEER ABSTRACTION (OR HOW TO BE A PERVERT WITH NO BODY)
Travis Jeppesen
Mousse Magazine
Issue 66 2019
Mousse Magazine
Issue 66 2019
Helen Marten
REVUE CAHIERS D’ART
JOAN MIRÓ
2018
JOAN MIRÓ
2018
How Important is Art as a Form of Protest
Helen Marten
Frieze
No. 186 2017
Frieze
No. 186 2017
Eva Hesse on Assholes and Existentialists
Matthew Collings
ArtReview
2016
ArtReview
2016
Review: Helen Marten, Serpentine Sackler, London
Jackie Wullschlager
Financial Times
2016
Financial Times
2016
Ringier Annual Report 2015 by Helen Marten
Lousie Darblay
ArtReview
2016
ArtReview
2016
Textures
Charlotte Jansen
Elephant
Issue 26 2016
Elephant
Issue 26 2016
All That Is Solid
Brian Dillon
Artforum
2013
Artforum
2013
Pictorial Lamination
Briony Fer
Parkett
no. 92 2013
Parkett
no. 92 2013
Problem Cookies
Helen Marten & Jordan Wolfson & Uri Aran in conversation
Parkett
no. 92 2013
Parkett
no. 92 2013
Autonomous Realms
Rein Wolfs
Parkett
no. 92 2013
Parkett
no. 92 2013
Interview with Helen Marten
Katie Guggenheim
Chisenhale Gallery
2012
Chisenhale Gallery
2012
A Little Bit Naked: Helen Marten Interview with Maurizio Cattelan
Maurizio Cattelan
Flash Art
No. 283 2012
Flash Art
No. 283 2012
Focus: Helen Marten
Jörg Heiser
Frieze
2011
Frieze
2011
Helen Marten
Victoria Camblin
032c
Issue 21
2011
032c
Issue 21
2011
MORE AND MORE MEGABYTES
Interview by Hans Ulrich Obrist with Helen Marten
Kaleidoscope
No. 11 2011
Kaleidoscope
No. 11 2011
Show Hidden Characters
Matias Faldbakken
Mousse
No. 28 2011
Mousse
No. 28 2011
Future Greats – New Stars for 2011
Beatrix Ruf
ArtReview
2011
ArtReview
2011