Broken Villas
Essays on containers
for Bricks from the Kiln
2024
for Bricks from the Kiln
2024
One Corpse, Two Corpse, Three Corpse, A Family (Crime in Progress)
On Cady Noland
for MMK, Frankfurt
Exhibition Catalogue
Forthcoming
for MMK, Frankfurt
Exhibition Catalogue
Forthcoming
Evidence of Theatre
On theatre
For Greene Naftali
2023
For Greene Naftali
2023
Stitching Sentences, Breaking Walls, Terming Theatre
On the shade stage of Lubaina Himid’s A Fashionable Marriage
2023
Third Moment Profile
On image treachery
for Third Moment Profile | The Almost Horse
Sadie Coles HQ 2022
for Third Moment Profile | The Almost Horse
Sadie Coles HQ 2022
The Almost Horse
On alphabetic narrative
for Third Moment Profile | The Almost Horse
Sadie Coles HQ 2022
for Third Moment Profile | The Almost Horse
Sadie Coles HQ 2022
Visible Teeth
On Laura Owens
for Shah Garg Collection Catalogue 2022
for Shah Garg Collection Catalogue 2022
Hey Frances!
A children’s book
2021
2021
Snow + Blood: A Diptych Picturesque
On gruesome maps
for Bricks from the Kiln #5
2021
for Bricks from the Kiln #5
2021
Beautiful Soup: For the pictoral seams, raging strings, and adhesive laminations of Hervé Télémaque
On Hervé Télémaque
for Serpentine, London
Exhibition Catalogue
2021
for Serpentine, London
Exhibition Catalogue
2021
Therefore, An Ogre
On connective tissue
for Therefore, An Ogre,
Greene Naftali
2021
for Therefore, An Ogre,
Greene Naftali
2021
A Tantrum Carved from Stone
On 12 loosely carved facets of temper
for Sparrows On the Stone, Sadie Coles HQ 2021
for Sparrows On the Stone, Sadie Coles HQ 2021
Books
On Jeremy O. Harris, Lisa Robertson and Diane Williams
For Mousse, Issue 78
2021
For Mousse, Issue 78
2021
from The Boiled in Between
The Boiled in Between
(extract)
The Brooklyn Rail
2020
(extract)
The Brooklyn Rail
2020
Greening
On green
for Bricks from the Kiln #4
2020
for Bricks from the Kiln #4
2020
The Boiled in Between
(extract)
A debut novel, published by Prototype
2020
A debut novel, published by Prototype
2020
Animal Hours
On care
for Chisenhale Gallery
2020
for Chisenhale Gallery
2020
H-e-m-i-s-p-h-e-r-e-s: Some abstractions for a trilogy
On Charlotte Prodger
for Tate Modern
2020
for Tate Modern
2020
Motor Metaphors: Notes on the paintings of Caragh Thuring
On Caragh Thuring
for Corbett vs. Dempsey
Exhibition Catalogue 2019
for Corbett vs. Dempsey
Exhibition Catalogue 2019
Though it weeps (in the style of new and brilliant murder)
On Ed Atkins
for Frieze/Kunsthaus Bregenz
Exhibition Catalogue 2018
for Frieze/Kunsthaus Bregenz
Exhibition Catalogue 2018
How Important is Art as a Form of Protest
Helen Marten
Frieze
No. 186 2017
Frieze
No. 186 2017
Fuzzy Logic
On Laura Owens
for Frieze 2016
for Frieze 2016
Technical Glossary (Excerpts from Drunk Brown House)
On stuff
for Serpentine 2016
for Serpentine 2016
Lucky Chromosomes
On screens & eyeballs
for The Kitchen 2016
for The Kitchen 2016
Calligraphy of the Marinade
On making sausage: production and power
for Ringier Annual Report 2015
for Ringier Annual Report 2015
Notes on A Painting Show
On paintings
for Sadie Coles HQ
Exhibition Catalogue 2015
for Sadie Coles HQ
Exhibition Catalogue 2015
Don’t Be Surprised, I’m Ripping Up My Eyes, I’m On Fire
On Paul Sharits
for Fridericianum
Exhibition Catalogue 2015
for Fridericianum
Exhibition Catalogue 2015
LOAF – A Blurry Eye Exam, or the Sourdough Hippocampus
On Trisha Baga
for Societé
Exhibition Catalogue 2015
for Societé
Exhibition Catalogue 2015
My Influences
On skins and skeuomorphism
for Frieze issue 155 2013
for Frieze issue 155 2013
Plank Salad & Almost The Exact Shape of Florida
On material
for Chisenhale &
Kunsthalle Zurich 2012
for Chisenhale &
Kunsthalle Zurich 2012
Collage vs. Inlay: (Flaps, Sticks, Hairs and Bruises)
On edges + surface
an ongoing project 2012
an ongoing project 2012
Theft Habits
On rhymes
for ECAL; a learning primer 2011
for ECAL; a learning primer 2011